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Aa
Acetate - A term used to describe a small
test pressing run of a vinyl record made from acetate material.
A/D - short for Analog to Digital Conversion.
The conversion of analog data or information into digital
or binary form (See binary).
ADAT - The registered trademark name of
Alesis Corporation's modular digital multitrack recording
system.
AES/EBU - The abbreviation for the Audio
Engineering Society and the European Broadcast Union. Also
refers to recording and broadcast equipment interface standards
established by these organizations.
Ambience - The effect room acoustics have
in shaping the tonal quality of a concert performance or sound
system in producing a fuller, live sound.
Amp - Short for amplifier. An active device
used to amplify audio signals for playback.
Amplitude - The height of a waveform above
or below its zero baseline. Also referred to as signal volume.
Analog - The ability to quantify or measure
continuous changes in volume, speed, mass or other physical
properties through empirical data.
Analog Recording - A linear recording of
changes and fluctuations in an audio wave based on continuous
variations in the electrical output of the audio signal.
Analog To Digital Converter - The device
which does the conversion of a signal that has continuous
changes (usually of voltage) into numbers that approximate
those changes.
Anti-skating - A device that applies lateral
force against the tonearm to help counteract the inward force
created by the record's outer groove wall during disc tracking.
When properly adjusted, helps to keep the stylus centered
in the record groove.
Assign - To choose to which place an output
is going to be sent.
Attack - The rate the sound begins and
increases in volume.
Attenuation - To reduce in signal level.
Automatic Turntable - A turntable which
features automated tonearm functions such as automatic return
or cueing.
Aux Return - Short for Auxiliary Return.
A control, usually found on a mixer, for adjusting the level
of "returning" signals from outboard equipment patched
into the mixer's Auxiliary buss.
Aux Send - Short for Auxiliary Send. A
control for adjusting the level of the signal sent from the
console input channel to outboard equipment or an amplifier
via the Auxiliary buss.
Auxiliary Equipment - Outboard audio gear
such as effects or signal processing equipment which can be
patched into from a mixer's effect loop or aux buss.
Axis - A direction, usually expressed in
degrees, that defines the operating area of a particular audio
device such as a speaker or microphone. The area directly
in front of the device would be considered (zero)0 degrees
or on axis.
Bb
Balance Control - A control on a stereo
amplifier or mixer used to adjust the left/right balance of
the stereo program.
Balanced - 1) Adjusting the left and right
channel program material in a stereo sound system to achieve
an equal mix of both channels. 2) A three-wire cabling or
interconnection system that uses a separate ground wire and
two signal conductors with opposite polarity. Commonly used
in professional sound applications for its immunity to induced
noise and electromagnetic interference. (See XLR connector).
Bandwidth - The frequency range in which
an audio device operates, i.e., amplifiers, equalizers, speakers,
etc.
Bass - The lower audio frequency range
up to approximately 250 Hz. Those low frequencies normally
associated with the kick drum and bass guitar.
Battle - A slang term for DJ mix competition.
An event where DJs match their mixing skills for friendly
competition or sponsored prizes.
B-boying - A form of hip hop dancing which
is popularly known as break dancing. B-boying originated in
The Bronx, NY. The term "B-boy" or "B-boying"
came from Kool Herc, popular DJ spinning at block parties
in Bronx back in the days. B-Boys is short for break boys,
a label they received because they danced to the break part
of the music.
Beat - A steady, rhythmic pulse in music
that establishes the tempo of the song.
Beat Counter - An instrument used to automatically
calculate the BMPs of a song.
Beat Juggling - A popular mixing technique
which involves mixing two identical programs with a slight
offset to create a doubling of the bass line. This technique
also includes mixing two different programs in tempo to create
a more complex alternating beat structure.
Beat Mixing - A mixing technique where
two programs with similar beat structure are mixed together
in tempo, creating a seamless transition between the two songs.
Beats Per Minute - The number of steady,
rhythmic pulses per minute of time in a music selection which
establish the tempo of the song.
Belt Drive - A turntable system that uses
a pulley belt to transfer rotational drive from the motor
to the disc platter.
Binary - A digital numbering system based
on two where data is expressed as combinations of "0"s
and "1"s). Bit - A single unit of digital information
expressed as a "0" or "1".
Boost - To increase signal gain, especially
at specific frequencies as in equalization.
BPM - An abbreviation of Beat Per Minute
(the number of steady even pulses in music occurring in one
minute and therefore defining the tempo).
Burn - Recording information onto a CD
or CD-ROM.
Buss (Bus) - A wire carrying signals to
some place, usually fed from several sources.
Cc
Capacitance - The ability of two conductors,
separated by a nonconductor, to store electrical charges.
Cardioid Pattern - A microphone pickup
pattern that provides optimum pick up performance from the
front, less from the sides, and the least from the back of
the microphone.
Cartridge - Short for Phono Cartridge.
The stylus pickup assembly which is mounted on a turntable
tonearm that provides disc playback. (See stylus).
CD - The abbreviation for Compact Disc.
A small laser optical disk measuring 4.75 inches in diameter
encoded with digital audio information.
CD-ROM - The abbreviation for Compact Disc,
Read Only Memory. Compact Disc media used for the storage
of computer data, such as large programs, graphic files, audio
files, etc.
Center Frequency - The primary frequency
of the audio signal that receives the most boost or cut adjustment
as in an equalizer's frequency band controls.
Channel - An input module or section on
a mixer that include input jacks and controls for adjusting
the input signal.
Clip (clipping) - Audio waveform distortion
caused by signal overload.
Coax - Two-conductor cable consisting of
a single conductor surrounded by a wire or metal foil shield.
Compact Disc - A small optical laser disk with
digital audio data recorded on it.
Compact Disc Recordable (CD-R) - A blank
Compact Disc that can be recorded on or "burned"
one time only.
Compression Ratio - The ratio of signal
dynamic range (such as 2:1, 4:1 or 8:1) measured at the input
and output of a compressor above the set threshold point.
Compressor - A signal processing device
that limits the fluctuation in the level of the signal above
a certain adjustable or fixed level.
Counterbalance (counterweight) - With reference
to turntables, the small adjustable weight mounted at the
rear end of a tonearm used to apply tracking force. (See Tracking
Force).
Crash Mix - A mixing technique where one
program selection immediately follows another without a gradual
transition.
Crossfader - A transitional slide control
on a mixer for fading in one input channel while fading out
another.
Crossfader Curve Adjustment - A control
that allows adjustment of the crossfader's attenuation characteristics.
Enables users, for example, to change a crossfader's profile
from a fast attack, quick attenuation fader to a slow attack,
gradual attenuation fader
Crossover Frequency - In a speaker crossover
network, the frequency point that represents the upper or
lower range limits of a given speaker driver. In a two-way
speaker system, the crossover frequency would be the point
where the low frequency driver begins to roll off and the
high frequency driver starts to cut in.
Crosstalk - Unwanted leakage of an audio
signal from one channel into an adjacent channel or recording
track. Cue - 1) A control switch enabling a user to listen
to a selected input channel on a mixer with headphones or
monitor speakers. 2) To set the tape or disc so that the desired
selection will immediately play when the playback device is
activated. 3) A control switch on a music playback device
that begins playback from a preselected location
Cueing Lever - A control lever located
below the turntable tonearm that is used to elevate and lower
the arm.
Cue Send - A control for adjusting the
amount of signal sent to a cue bus from an input channel for
program monitoring.
Cut - 1) A song selection on a CD, record,
etc. 2) To mute or turn off. 3) To reduce the gain of a select
range of frequencies as with an equalizer. 4) To filter out
a specific frequency or frequency range.
Cut Switch - A switch control on a mixer
that enables the user to momentarily mute out or cut off an
input channel signal while mixing.
Cutting Lathe - A device used to etch recorded
music into the grooves of a metal disc master used in record
production.
Cycles Per Second - A unit used in the
measure of frequency, equivalent to Hertz. Cycles Per Second
is an outdated term replaced by Hertz in 1968.
Dd
D/A - Abbreviation of the term Digital
To Analog Converter. A device that converts binary data into
corresponding discrete electrical voltage levels.
Daisy Chain - 1) To connect several devices
in parallel so that signals from one device are passed on
to another as with speakers or MIDI devices.
DAT - The abbreviation for Digital Audio
Tape. An industry standard tape cassette format used for recording
digital audio.
DAW - The abbreviation for Digital Audio
Workstation. A dedicated digital based workstation or device
that is used for recording and mixing digital audio.
dBm - 1) Audio power expressed in decibels
referenced to one milliwatt of power in a 600 ohm load.
dBu (dBv) - Decibels of audio power where
0dB is referenced to 0.775 volts of audio voltage in any impedance.
The preferred usage is dBu.
Decay - 1) The time interval from when
an audio signal's peak level drops down to a sustain level.
2) The fade-out rate of a reverberating sound as in decay
time.
Decibel (DB) - A unit of measurement for
expressing sound pressure level (SPL), signal level and variation
or differences in signal level.
Delay - An audio circuit or device which
suspends output of an audio signal and mixes it with the original
audio source to create a fuller sound.
D.I. - Short for Direct Injection or Direct
Input. An active direct for converting high-level, high-impedance
audio signal to a low-impedance, mic-level signal for insertion
into a mixer's microphone input. Commonly referred to as a
"direct box".
Dial Input Fader - A rotary fader or pot
control used for adjusting signal level of an input source
or channel. Mixers featuring rotary faders are often referred
to as "N.Y. style" fader and are the mixers of choice
for most DJs performing House music.
Digital Recording - A recording process
that converts analog audio signals into binary data that represent
the original audio waveform.
Digital Signal Processing (DSP) - Any signal
processing done to an analog audio signal after it has been
converted into digital audio.
Digital To Analog Converter - A circuit
used to change binary data that make up the digital audio
signal into discrete voltage levels that approximate the original
analog audio waveform. Abbreviated as D/A converter.
Direct Box - An electronic device utilizing
a transformer or amplifier to change the electrical output
of an electric instrument (for example, an electric guitar)
to the impedance and level usually obtained from a microphone.
Direct Drive - A motor system in which
rotational energy is transferred directly to the drive source
without the use of a pulley belt or idler wheel.
DnB/Jungle - Heavy Reggae and Hip Hop influenced
dance music with strong bass lines and fast drum tracks.
Dolby - Trademarked noise reduction systems
and technology by Dolby Laboratories to improve the performance
and fidelity of audio recording, playback, and transmission.
Drum Machine - an audio device with sampled
or synthesized drums sounds that can be sequenced by an internal
or external sequencer to play drum patterns.
Dry - A term loosely used to describe an
audio signal without any signal processing. An audio signal
lacking in reverberation or ambience.
DSP - An abbreviation for Digital Signal
Processing (Any signal processing done after an analog audio
signal has been converted into digital audio.
Dub - 1) To make a copy of a recording.
2) To make a recording from one recording source while copying
another so that the end result is a combination of the two.
Dynamic Processing (Dynamic Signal Processing)
- An signal processing system which automatically changes
the gain to maintain a preset level ratio or relationship
between the loudest and quietest passages of music.
Dynamic Range - The level difference, expressed
in dB, between the loudest level and quietest level of a recording
or live audio source.
Dynamics - The amount of level variations
or fluctuation of an audio signal or live music.
Ee
Earth - British term for Ground.
Editing - Altering the original sequence
of a recording by eliminating or inserting musical elements
either manually or digitally.
Effects - 1) Electronic filtering or modification
of an audio signal to change the sound. 2) Sound elements
added to a recording or film score to create a finished product.
Electronica - A general term used to describe
a wide range of guitarless, heavy synthesizer, electronic
dance music.
Engineer - The technician in charge of
a studio recording session. Also commonly called a studio
engineer.
Equalization - The process of boosting
or cutting audio signals at a specific frequency or range
of frequencies
Expansion - To increase the dynamic range
of a program signal by a given ratio. Commonly used in recording
to help boost the level of soft passages of music to bring
them over the noise level.
Ff/p>
Fade - A gradual increase or reduction
in the level of the audio signal. 2) To slowly change the
level of an audio signal from one level setting to another.
Fader - A control used to adjust the gain
of an input or output channel on a mixer.
Fat - Having unusually rich signal strength,
especially at low frequencies or having more sound than normal
as with the use of signal processing.
Feedback - 1) The insertion of a delayed
program signal back to the input for use in echo effects.
2) The pickup and re-amplification of an output signal by
its input resulting in an unwanted "howling" sound.
Feedback Control - An equalization circuit
or control used to help eliminate unwanted program feedback
or "howling".
Filter - A circuit that removes or acts
on certain frequency signals above or below a predetermined
point called a cut-off frequency.
Flange - An audio effect produced by combining
a delayed signal with the original and continuously varying
the delay to create additional overtones.
Flutter - 1) High-frequency pitch variations
in program material due to speed fluctuations in a recorder
or playback unit. Often expressed as "wow and flutter".
Frequency - The rate or speed at which
an audio source generates complete cycles in one second. The
number of cycles that occur in one second is call hertz (Hz.).
Frequency Range - The range of frequencies
over which an electronic device delivers its best performance
or over which a sound source will produce substantial energy.
(see also Bandwidth)
Frequency Response - A plot or graph of
frequencies that an audio device, such as a mic, amplifier
or speaker, can accurately reproduce within stated parameters
or conditions.
Frequency Shift Key - FSK for short. An
electronic clock signal that can be used to synchronize sequencer
playback with an audio tape.
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